October 2016
Two Drops From Dry
In the inexorable rush of western civilization to dynamite itself, the United Kingdom voted out of EU membership today. The thing is, we actually financed “Clocking The T” from my international savings account in Britain.
*gulp*
How does a European political debacle have anything to do with a Los Angeles based micro-budget passion project? To make sense I need to back up a little.
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*gulp*
How does a European political debacle have anything to do with a Los Angeles based micro-budget passion project? To make sense I need to back up a little.
Read More…They Think We’re Making ‘Coven’
10/10/16 10:47 Filed in: Post Production
We went to a family reunion in South Dakota back in July and my sister-in-law and her husband asked how the movie was going. I said it was going well but that we’d had a lot of setbacks and we’re slogging through it. That’s when I noticed she was giving me That Look.
Glassy eyed.
Slight nod of the head.
A shadow of a smile.
Every facial tic and body posture that human beings have developed over two million years of genetic evolution to communicate, "You sad fuckin’ loser,” without actually saying it.
When I mentioned it to Erika she said, yeah, she’d gotten the same Look when asked about the movie from a co-worker the week before. I wondered aloud, “What’s up with that? ” And she leaned in and whispered, “They think we’re making 'Coven.'"
Read More…
Glassy eyed.
Slight nod of the head.
A shadow of a smile.
Every facial tic and body posture that human beings have developed over two million years of genetic evolution to communicate, "You sad fuckin’ loser,” without actually saying it.
When I mentioned it to Erika she said, yeah, she’d gotten the same Look when asked about the movie from a co-worker the week before. I wondered aloud, “What’s up with that? ” And she leaned in and whispered, “They think we’re making 'Coven.'"
Read More…Rings Of A Tree
05/10/16 08:19 Filed in: Post Production | The Big Picture
At the tail end of the summer of ’95 I went to a BBQ of a friend of a friend’s place in Burbank. There I met a crew member who’d worked in a key position on “The Usual Suspects, ” which had just come out in theaters six weeks earlier to much acclaim. Enthusiastically I asked what that experience had been like and they began to dump a bucket of vitriol all over the movie, and in particular, the director, Bryan Singer. They told me he was a clown, a fool, both clueless and nitpicking. He didn’t know how to run a set, direct actors, or how even pronounce ‘Keyser Sozes'’ name correctly. They said it was a miracle the film got made. There was more but it’s irrelevant. Because here’s the thing:
It’s obvious to anyone who saw “The Usual Suspects” that summer that Bryan Singer knew what he was doing.
In fact, anyone who has ever seen “The Usual Suspects” knows immediately that Bryan Singer is a world class director.
So… WTF, right?
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It’s obvious to anyone who saw “The Usual Suspects” that summer that Bryan Singer knew what he was doing.
In fact, anyone who has ever seen “The Usual Suspects” knows immediately that Bryan Singer is a world class director.
So… WTF, right?
Read More…